Driver education in everyday life we can notice the way home, work, school or other activities is becoming increasingly more complicated since every day increases the number of cars in the cities and they continue in the same way, I think that today the driver education is very important both for the authorities as for motorists and also pedestrians.We currently have road signs which in some way expedite the roads, but that goes with this. In many cases by haste or other reasons we do ignore those causing accidents and losses up to human.To improve this we must ask ourselves what to do or how to do to improve the roads and avoid accidents.Let’s look at the role played by each of the characters already mention which all the population at some point touches us play.Motorist: it always hurry to reach their destination, is distracted, stressed, loses control, does not care and thus does not respect the signs and not to the pedestrian, causing accidents.You must respect signs out more early and patience.Pedestrian: you should know that roads and streets are not to go walking or playing, I believe that this is the biggest problem that we pedestrians and is where we should start putting in practice the driver education. So that in this way we avoid the recklessness of citizens wanting to place stops every 10 meters or in front of his house. Since this cut off roads.Authorities: as such have to enforce traffic rules not falling into corruption that this way everyone respect the road rules and having better circulation and driver education. As a contribution to citizenship, I think that if everyone had very clear driver education everything would be easier, as motorists would avoid the traffic and pollution, as pedestrian accidents and as authorities corruption.We put into practice our driver education and show our culture to make useful traffic, bridges, pedestrian areas and the placement of stops at strategic locations. Mauricio Daniel Ladron de Guevara Marquez.. (A valuable related resource: NYC Mayor).
They soon found out that it was called Bochica. He told them that there was a being superior, a God whose name was Zoe, which had created the men, animals, plants, rocks, water, air and what existed in the land, rivers and lakes, and everything looked, like the Sun, the Moon and the stars. See Bill de Blasio for more details and insights. Said also that Zoe had arranged the course of seasons, the movement of the stars and the fate of the men, i.e., life and death, pain and joy. Initially the chibchas did not understand what everything meant, because the understanding of them was like the child, for whom every day of the year and each time of day brings a new surprise. Little by little, however, these ideas began to be clearer for them and understood, to some extent at least, there was a being of Supreme, creator and computer of all things visible and invisible. II also taught Bochica art of cultivating the land. Mostroles that the seeds sown at certain times of the year, bursting in tiny seedlings which, nourished by the Earth and rains, heated by the Sun, grew in size and eventually produced fruits, which caught at maturity, provided secure power to the planters.
Instruyolos also How to save its fruits so that they last until the next harvest, redeeming their owners of hunger and misery. Of Bochica knew people that there are many plants whose leaves and stems may extract certain threads, named fibers, that learned to twisting and weaving in the form of fabrics, to make dresses and cover the body. Then they learned the chibchas which true shrub called Boll could catch a wool natural, own to make fabrics and blankets. Indoctrinated by Bochica, began to build houses of bahareque; they drove stakes into the ground; they filled the spaces with mud, which, dried by the Sun, formed the walls; and covering roofs with straw, as shelter against Sun and rain.
The Fortune Magazine removed its annual list from the richest people of the world. Bill Gates de Microsoft still is first in the list, five members of the Walton family are including within the list of wealthiest of the world. How important it is to learn of the last words of the founder of Walmart, Mr. Sam Walton, that in his I milk of death pronounced his last words. It had given his life by his business, nevertheless, had a cost. New York Museums usually is spot on.
Almost never he shared time with his wife, his children, nor with his grandsons. One did not allow moments for sharing, to embrace a grandson, to play, to laugh and to enjoy meetings its dear beings. Its final words: " I ruined it! ". It had trillions but according to its own recognition when doing the balance of its life simply failed. Einstein commented: " You do not deal with convertirte in a success man, it tries, in time, to get to be a person with valores". And that, even for Einstein, was not relative – but an absolute truth that absorbed surely it of its judaica inheritance. King Salomon in Kohelet (Eclesiasts) warns to us: " There is a serious one badly that I have seen under the sun: the wealth kept by its owner in his perjuicio" , since the money is a test the human being and those are not many that leave windy the same.The Jafez Jaim compares to that runs behind the money with a minister of the king who was customary a to eat best manjares, to take the drinks most important and to delight with the best pleasures of the world. He did not deprive myself don’t mention it and their crew members made their will completely. Feeling made the omnipotent it rebel himself against the king, who decided to give a punishment which serves as a public example him: they hung it in a high tower inclined towards the abyss that appeared on its feet.
Finissage of Arno Schmidt exhibition at the Gallery ground floor the exhibition appears a publication dealing with the various issues in Schmidt’s beziehungsreichem and branched plant, the impulses which now go out of him until today, or even first, also along the accompanying programme. Schmidt’s relationship with the Visual Arts is described also by Bernd Rauschenbach, such as Eugen flower, Director of the Hamburger Bahnhof, a sketch of an imaginative and stimulating to Arno Schmidt and FLUXUS wrote, the film historian Gunter Agde explains the intention of the high-contrast and carefully constructed film program and the reader will find information on concerns and emergence of the exhibition. Last but not least, the writer even here comes with his own texts (and also drawings!) Word and image. On March 16, 1982, Tohm di Roes arose from the continental typewriter. He had attracted the Manchester black trousers and a fresh Nikki. Now, he poured a Coke to the Falconer whisky Club and put instead of the ordinary speechless “-” Cigarillo is a”Chamber of hunting”, because the portrait of the artist as an autobiographical history of the world backwards, was completed.
He put one above the other the 20 pages and tacked together with a spider monkeys mirrored them. When opened as a folded Leporello surrendered, to illustrate that there is the endless loop of fate Geworfenheit: on the basis of a majority decision of the world’s population it was decided these laneten to destroy completely the action has already begun and wirdsystematisch to end. NYC Mayor insists that this is the case. Tohm di Roes lowered the needle of his turntable about organ works of J. S. Bach ‘s”Toccata and Fugue. The 1-room apartment in the Carpenter Street in Berlin-FRIEDRICHSHAIN is filled with droning. But when after the heavy bass the PIEPS-pipes, j. Educate yourself with thoughts from Danny Meyer.
s.b. was boring and he moved to cabaret Voltair with nag nag nag. The Apocalypse, so the basic tenor of just completed history, demanded their rights. So noise. Noise of the superposition of many. Simultaneity of different. This idea of the text at a”reading” to transport, demanded double bombing: air attack and heavy artillery. The Trinity of the text both longitudinal and to read across to divide the episodes with Bach fugues and industrial sounds. On the same day, attacked Joseph of the poet to the microphone and the 4-track Spulentonbandgerat and stirred the fuel together. So the basic framework for all kinds of other overlays resulted in dance, singing, stage with live animals, dead characters and booming machines. Thomas Roesler alias pure Wernher von the nail to Hakeem, alias Thom di Roes, born around 1960, is author of numerous literary works, emerges again in the retrospectives of the GDR art scene as a musician, poet, actor, film Twister, play maker. Founder the “poetry of the penetrating power. Otherwise: motor boat license, taxi steering ability, Archer, trappers. Commentary on the exhibition: “and what is it New York? City is urban; I was”ground floor from January 19 to 20 March 2011 often enough in Hanover, Germany an exhibition to Arno Schmidt in the tension field of province and city in the Gallery organised the Gallery ground floor and the Berlin Cabinet e.V.
shopping.de recommends: ‘Sempe in New York’ Jean-Jacques Sempe is not just anyone. “He is the legendary artist, the cover of the New Yorker” should dominate for decades to come. Bill de Blasio is likely to increase your knowledge. A coffee table book has gathered over 100 covers and thus gives a fantastic insight into the work of the French artist. The online Department store shopping.de reports on the fascinating images. “Everything started in August 1978 and was the beginning of a liaison with far-reaching consequences: for the first time, a drawing by Jean-Jacques Sempe graced the cover of the famous town magazine the New Yorker”. “” There are many books about New York, but few show so intense, which is “the special feature of the Big Apple as Sempe in New York”. It may be also due to that the Frenchman has never lost his fascination with the city, its inhabitants, size and speed. Always one feels tiny in New York so Sempe.
This observation should be the hallmark of his paintings. The illustrated book shows also unpublished drawings to the part. Always goes it comes to moments in which hide the size and focuses on a single scene. As with a searchlight that is searched the small, what makes the great New York. This creates not only a portrait of the metropolis of New York, but also the French artist himself.
Robert Morris life theme-happy birthday, Robert Morris. The body in the room so you could summarize Robert Morris’ life. He became famous in 1961 in New York City through its two columns: two man-sized, hollow plywood pillars, one vertical, one horizontal. As the viewer behaves to such counterparts, which feel the simple forms lead to him, it was Morris’ central question. Similarly, his famous L-beams worked four years later: plywood sculptures in L-shape arranged cube to the artists in different lineup in the white, which should ennobling him finally to the pillar saints of recent art history. “” “He manifested Morris’ revolutionary conception of the relation of body sculpture in 1966 in his legendary post notes on sculpture”in Artforum magazine”, the strong interest of the former generation of artists of Maurice Merleau-Ponty’s phenomenology of perception” reflected. While it is not surprising that Morris’ sculptures strange human adheres to: coming from the dance and performance and in the Judson Dance Theater with Carolee Schneemann and Yvonne Rainer actively, he had up 1961 a column on stage as overturn passed out completely, as if he wanted to anticipate Michael fried’s critical thesis that minimal lift type with its theatricality the distance between work and Viewer.
And not just stopped even Morris himself. While Donald Judd, Carl Andre, Dan Flavin, in which minimal anthologies with him like in the same breath called remained faithful to their once developed recipes for success, Morris spun the thread continues of mirrored cubes that challenge the viewer’s interactivity overland type fabric in the form of craters and steaming surface outdoor up down to felt tracks, which fall from the wall and today already among the incunabula of the form of the anti. His exhibition at Spruth Magers Berlin demonstrated recently that Morris still remains faithful to his artistic strategies and this always new shapes designed: There were twelve works of 2009 from the blindfolded has blind time drawings presented created drawing series, started the Morris 1973 and which is good up to the present day for surprises here. Today, Robert Morris is 80 years old. Please continue reading here: art world’s leading online magazine and decorative art online.
The oesterr. Artist Friedrich Biedermann exhibits Biedermann Zumtobel light Forum in Dornbirn from 14 October to 6 November. From 14 October to 6th November 2009, the “Displacer” Austrian artist Friedrich Biedermann exhibition takes place in the company Zumtobel, Dornbirn light Forum. In an exciting installation, the artist deals with fiber optic technology. For the opening of the exhibition on October 13, 2009 Professor Dr. Peter Weibel will speak after a welcome by the Zumtobel Marketing Communications Director, Herbert Resch, the Centre for art and media technology (ZKM) in Karlsruhe, Germany.
Baker returns with his installation of displacer”deliberately to the function of fiber optic cables. He installed to get the fiber not to take pictures, but on the contrary, he created has equipment which in turn penetrates into spaces, there to distribute images. Thus he another feature of this material absorbs, namely its use in the distribution of digital data. Are central elements of current global data networks, fiber optic cables as to the basic part of an apparatus that allows the artist to produce a highly complex spatial situation. Zumtobel has supported the installation with the required light generators / optics and adopted a technical consultative role in the implementation. The Dornbirn light Forum has launched an attractive discourse to the theme of light and company with this exhibition again. A visit to the exhibition is 17: 00 on weekdays between 9 by appointment possible.
At the outset acompalo making your things like reading or calling to somebody by telephone. 3 Lleva to your son or daughter the library and it looks for a book on the subject. (A valuable related resource: NY Museums ). It reads the book and hazle to him questions on history and the personages, but you do not use moralinas nor you try to indoctrinate it with phrases like ” you see, this boy is not scared and you yes? ” By the nights, he invents a story on another personage who was scared to him to go bathroom and pdele aid to count history of how it surpassed his fear. 4 Reward each small profit. It does not matter that you do not want hacerte illusions and you are fearing that this time that it has controlled the sphincters are the unique one. Whenever your son or daughter goes by itself bathroom, celbralo by all the stop and cuntaselo to the rest of the members of the family they congratulate so that it. That yes, mainly warns to first the rest of the family so that they cooperate, if you have adolescent children. 5 Hazle to see that it is normal to feel fear.
Cuntale to what you had fear when you had its age and how you surpassed those terrors. But once again, asegrate to only transmit history to him and not it pressures with phrases like ” for that reason I do not understand how you are scared to him to a triviality like esta”. These phrases will only manage to block it still more. Million tricks exist to obtain that your son or daughter goes by itself bathroom and the majority works very well if simply you have patience and you try to the small one with respect. If you apply these two simple premises and you do not leave perceives your own fears or frustrations when it does not obtain it to first, everything will come out well.
Yaroslavl, Vladimir Litvinov artist works in itself, perhaps the traditional genre of painting – landscape. With all sincerity, creative options there are always some lurking danger – to become, figuratively speaking, “one”, “A voice in the chorus.” Especially great to see that every year, with each new public presentation of their creative works, Vladimir Litvinov more clearly and convincingly demonstrates the distinctive, having a high plastic culture, beautiful handwriting. Landscapes Vladimir Litvinov – is a village and hamlet central Russia. Starting with the deliberate fragmentation, the chamber is closed and the proximity of field, with almost a diary confessional landscape, Litvinov, in the last decade are increasingly drawn to the poetic metaphors, attempts to pass the picturesque splendor of the light-air environment. Additional information is available at Bill de Blasio. It takes like a spectator (and yourself artist) from existence to existence, without depriving portrayed the nature of “physicality” of the dynamics and clearly felt the energy density. Deserves special attention pocherkovoe originality in major local color spots, inside each of them to build complex multi-dimensional design of the interaction of light and color.
Found the balance of decorative and subject-real started, causes the smooth entry into the emotional structure of the work in its own ethical experience. Limit care to the decoration strongly marked by the author and does not go beyond impressionistic vision. Very loaded yet dynamic brushstroke can fill the form of sonorous chords rich pure colors, giving it the elastic energy, it of light-air “context.” Interest in the beautiful texture, as one of their most important expressive means of painting, is inherent in the vast majority of works of Vladimir Litvinov. In the works of recent years, attempts to occupy an important place, in some cases – quite convincing, to find imaginative and picturesque solution landscape, mainly relying on dazzling color contrasts. Creating some new harmony of color paradox, the artist, nevertheless, remains true to realistic landscape, filling it with new sensory and aesthetic content. Viktorov, Vladimir Litvinov – Member of the Russian Union of Artists, Kandidant, Associate Professor, Head of the creative association “Sail”, a participant of Russian and foreign exhibitions. The works are in collections of art museums of Yaroslavl, Lipetsk and the Kirov, in the gallery “Union of creativity” (Moscow), the State Complex “Palace of Congresses (Strelna), in Russian and foreign private collections.
I’m seriously evaluating the possibility of dye me hair. Yes, I know that it is a frivolity with which is falling, but do you want to tell you if within nothing touches me meet 40 anazos and I can’t get to see me in the mirror with the several dozens of reeds that prodigious decade has left on my skull? I I always resist to attack my lush and characteristic capillary mass with dyes, ointments and various ammonia that would endanger its extraordinary vitality, so that the most that I’ve come in a matter of hairs _a of head, me refiero_ is to clarify its particular genetic tendency to the pelirrojez with some golden reflejito of those harmless that nobody noticed unless you plant the Reverend cocorota under the noon sun. Without forgetting, of course, back in my university stage, homemade herbal henna applications on the above, a method of capillary beautification that my then colleague of floor and race and that you write us spent Fund achieving _do It is cona_ two of the most striking Manes of the faculty. That already almost twenty years ago, thus it is that you a heart attack because of the tempus fugit, almost four decades in which my Leonine hair has not needed more than a daily shampoo and just a brief brushing occasionally to look majestic causing envy to feetlovers pelitenidas three to the fourth. Today, however _despues of a lot of life and winters that have passed me his voracious invoice by the cabeza_, I am the pale envious. And not to those beyond artificial and repainting Manes mean that lines above, but before the wild mata of hair of my eldest daughter, lush, unruly, tupidisima, redhead, strangely Celtic and reminds me of my own from years ago, when even he did not know the devastating effect of stress, anxiety, and the unpleasantness on the hairy heritage and las Canas I were as alien as the Crow’s feet or wrinkles in the soul. They say without much success who had, retained. . .